Brompton’s support is also second to none. “They allow you to have access to the full spectrum of colour management features that make the work of combining the virtual world and real world a smooth and hassle-free experience. “It was evident that without Brompton processors it would be much more difficult to achieve the level of visual performance needed,” explains Millar. Rooney does not underestimate the importance of Brompton processors for XR Studios, and notes that, after consulting with Fuse, they did not consider any other option. “For example, queuing content and triggering different elements and playing them back makes it feels as if you’re doing a normal stage show or broadcast, as opposed to using something that’s too custom and hard to get used to,” Millar added. We are also big fans of the Tessera software which has a high number of pre-sets and features that allow us to be really creative and uninhibited with how the visuals are configured.”ĭisguise GX2c media servers also play an important part in the team’s workflow, not only supporting effective camera and colour calibration, but by also injecting a feeling of normality that you would get in a live production. “Brompton processors give us full on-screen colour control as well as the ability to dynamically change the brightness of the LED panel as and when needed. “By using extended reality technologies where we are constantly connecting the real world to the virtual realm, our colour requirements are especially rigid,” explained XR Studios CTO, Scott Millar. Both run on Brompton Tessera SX40 4K LED processors, which deliver the high level of control the team needs. The centre stage is 72ft wide, 20 feet tall, and 27ft deep and is used for larger productions, whilst the smaller stage, measuring approximately 25ft by 25ft, resembles a cube. This could then give way to a large E-sports livestream such as GlitchCon, a nine-hour long online event organised by Twitch, the live streaming platform for gamers, and broadcast live from XR Studios’ centre stage.īoth LED stages comprise high-performance, broadcast-grade ROE Black Pearl 2.8mm LED panels for the back wall, with ROE Black Marble 4mm LED canvases in matte finish for the floor. One day could see the perfect delivery of a large music event, such as the MTV VMAs, followed two days later by a corporate brand piece such as the FalCon with CrowdStrike. With a high level of service with predetermined workflows to keep things consistent and reliable, we know large-scale productions will happen on time, on schedule, and on budget,” Rooney shared. “We wanted to be a creatively agnostic group that allows production to bring in its own team, help them get to the finish line and deliver a successful production. Providing a well-rounded XR (extended reality) production service, the XR Studios team works closely with artists, producers, creators and creative directors to deliver their vision in a cost effective and visually stunning manner. We wanted to ensure that our entire operation was executed at the highest level, so having Fuse as our technical partner made complete sense.” “They have a lot of experience with the equipment and provide technical consulting across live entertainment, television, film and virtual production. “We have always had a great relationship with Fuse, a company we consider to be one of the greatest pioneers in terms of pushing LED technology for a wide variety of applications,” said XR Studios Director, J.T. Brompton Technology helps LA-based XR Studios create new possibilities for live performance and entertainment.įounded in 2020 in collaboration with technical and equipment supporter, Fuse Technical Group, XR Studios provides two high-spec LED stages featuring Brompton Technology processing and ROE Visual LED panels – offering a team of technologists to help bring XR productions to life.
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